| 11-30-02
Thanksgiving is over, and I
am giving thanks that it is. My brother couldn't be there
on Turkey day so I made an extra trip down to see him and
his family Friday. He is the only other geek in the family,
and since I only get the chance to see him once a year when
he drives over from Spokane for Thanksgiving, I felt it was
worth the effort. Sue stayed home with the kids. One of the
advantages of keeping an online journal is the ability to
look back over the years to see if ones life is improving.
I am better off than two years ago, but I can't compete with
one year ago when I was earning seventeen something an hour
and working full time. At this time last year I had earned
around thirty three thousand. This year I've earned sixteen,
not counting a couple thousand from unemployment. Not surprisingly
my bills, especially the electricity and water have increased
at the same rate my income has decreased.
The temptation to fall back into the
safe and secure world of printing haunts me. Yes, life as
a pressman is hell, but the steady, livable paycheck, and
the ability to leave the job at the office is priceless.
| Journeyman
Pressman |
Web
Designer and Teacher |
| When I leave the office, my time is
my own. |
When I leave the office, I need to
get home quickly to study software. |
| 30 to 45 thousand a year. |
15 to 25 thousand a year during the
recession. In better times...what better times? |
| Ratio of bad days to good days:
20 to 1 |
Ratio of bad days to good days:
1 to 7 |
| My weekends are spent doing:
anything I want. |
My weekends are spent doing:
lesson plans, grading and learning new software |
| On a bad day: I hate the press,
my life and my boss. |
On a bad day: I get lost in
the software and go for a bike ride to relax. |
| Number of positive remarks on my
work in a week: 3 |
Number of positive remarks on my
work in a week: 25 |
| Amount of paintings in a summer:
6 to 10 |
Amount of paintings in a summer:
2...but I did 20 drawings as part of teaching drawing,
not to mention a bunch of cool digital art in Illustrator
and Photoshop. |
| I am known at work as: a skilled,
but slow craftsman. I am respected for my reliability
and low error rate, but usually in the doghouse for long
makeready times. My perfectionism is a handicap. |
I am known at work as: a brilliant,
creative designer with an awesome color sense. I am patient
with my students and get constant positive feedback from
both the students and my fellow teachers. My perfectionism
is an asset. |
| Amount of hours in a 40 hour work
week when I use my artistic and creative skills: 0
|
Amount of hours in a 40 hour work
week when I use my artistic and creative skills: 10
or more |
| Is my knowledge and employability
increasing? No, I am using skills I mastered 10 years
ago. |
Is my knowledge and employability
increasing? Yes, in leaps and bounds. |
| Where will I be in ten years? Running
a press at night. |
Where will I be in ten years? With
the internet, who knows? But it is likely that diligent
application of my artistic skills to digital design will
bring recognition and a livable wage, especially if the
economy turns around. |
| Visa card balance: Paid off
every couple years. |
Visa card balance: $2000 and
rising |
| Vacation time: 1 week |
Vacation time: 7 weeks |
| Chance of getting paid to teach
drawing: zero |
Chance of getting paid to teach
drawing: 100% |
| Chance of working dayshift:
3%, more if someone dies. |
Chance of working dayshift:
100%. |
| Number of days a week I am required
to be in the office: 5 to 6 |
Number of days a week I am required
to be in the office: two and one half |
| |
|
|
The one thing that keeps me in high tech, the overriding issue,
is that by falling back into printing, I am walking away from
several years worth of hard won knowledge. Many companies still
have very bad web sites, and can afford several thousand for
a new one. I have the skills to build that for them, but as
a teacher, I don't have the time to pursue their business.
The schedule next quarter is still up
in the air, but I've heard that I might be repeating some classes,
so I might be able to re-use some of my existing lesson plans.
That would free up quite a lot of my time. Most of the women
in my family are teachers. My mom, my Aunt and my sister are
all veterans of the public school system. My brother's wife
teaches piano and they all say that the first year is the hardest.
It has been hard, and by spring it will have been a year.
11-23-02
We went to the new REI store
in Tacoma today. It was their first Saturday open. There were
a lot of happy looking employees...happy to be working for
a company that pays good benefits, although the wages aren't
too inspiring. The store was jam packed with people spending
money. In fact, everywhere we went near the Tacoma Mall area
was packed with shoppers. Are people beginning to feel confident
in the economy again? It sure looks like it. I found a new
Black Diamond headlamp to replace my 1980 vintage headlamp,
which still works, but I wanted something lighter that runs
longer and uses rechargeable batteries. These new LCD bulbs
are neat. They don't have the horsepower to shine a light
100 feet, but who cares? I usually just need to illuminate
a trail, or the picnic table and my backpack. Or, if the power
goes out as it did last week, I need to be able to walk outside
to get firewood.
I've been shopping at REI since dad
took me up there to buy a backpack in 1968. They were a little
hole in the wall store on Pine street possibly, or maybe it
was Eleventh in Seattle. They only had the one small store
then. As we walked around the store today, I saw young people
of the age Sue and I used to be at the beginning of our long
involvement with mountaineering. They had that same look of
absolute confidence in their ability to survive against all
odds. I used to think that way, until a bunch of my friends
died, one by one in the high mountains. Some of them died
on Rainier, some in South America and a few in the Himalayas.
I've seen an accident or two now,
and while I've not stopped wanting to climb rock, I have learned
that no one is immortal. We all make mistakes, and, as the
saying on the plaque at Spire Rock reads: "Look well
to each step young man, for it may be your last."
Anyway, as I walked around
the bustling store, smiling to myself at the wide variety
of hikers, climbers and wannabe hikers and climbers I reflected
on how lucky I was to still be "doing it" at my
age. Seems like all my friends have given it up. I climb with
people young enough to be my sons...with a few exceptions...hey
Mark!
The end of the quarter is coming up.
I have a bunch of time off between quarters. It looks like
I should be able to do some in depth studying of some software
I've been wanting to learn. I can also spend some time working
on cars, and possibly even jazz up my web site. I need to
begin looking for more freelance work to supplement what I
earn teaching. Maybe I'll even do some painting. I've always
wanted to do some winterscapes up at the mountain. That'd
be cool!
11-18-02
Gave a good lecture today to
my drawing class. I know it was good because of the improvement
I saw in the drawing session following the lecture. Last week
I tried to teach them how to draw shading, but I've learned
that a lesson usually takes some time to soak in. Today I
talked about their tendency
to rely too heavily on the use of line, at the expense of
shading. Using a sharp tipped erasable marker, I demonstrated
drawing an egg on the whiteboard without any lines whatsoever,
just shading strokes, or hatching as it is called.
For models I draped a sheet over a
chair in one corner of the room and thumb tacked a pillowcase
sized sheet to a large piece of cardboard. As I was setting
up, the students watching me began kidding each other good
naturedly about how we were drawing a sheet of cardboard today.
"Hey look! Cardboard today. That's going to be tough
drawing those scraps of old duct tape on the corners."
"Yeah, but at least it's not a sheet. I heard we might
be drawing a sheet today."
"Oooh, look what we have here!" I said, and pulled
a couple white sheets out of my backpack. They seem unafraid
to tackle anything I throw at them. It's really fun watching
them take to drawing like a duck to water. They appear to
have total confidence that I won't give them anything they
aren't ready for. It helps that a few of them have had drawing
before at the college level because they inspire the others
with their virtuosity. A couple have never drawn before at
all, and watching them discover their immense hidden talent
is my favorite part of this job. It simply amazes me that
they have never before realized they could draw. I walked
up to K today and noticed he had drawn the draped chair as
well, or possibly better than I could have drawn it. I asked
him if he had always known he could draw like that. He shook
his head and said, very simply, no.
11-12-02
Do you ever find yourself wondering
how you got so deep into computers? Remember when life didn't
revolve around staring into a little screen of colored light
plugged into the wall? I've been wondering these things a
lot lately. I had some nice breaks over Veterans day weekend,
even said to hell with it all when the family was out spending
my money and took a couple naps on the couch. I've done a
drawing a day out in the garage over the last 2 days. My drawing
class
has burned through our first book: "Drawing on the Right
Side of the Brain", so I've been reading some of my other
drawing books. "Drawing, the Creative Process" by
Simmons and Winer, has an excellent demonstration of drawing
drapery. Drapery is the study of how cloth is defined by the
shape underneath.
This weekend I ironed an old sheet,
cut out a square of cloth 3 feet square, hemmed the edges
(yes, men can sew) on my antique sewing machine and pinned
it onto the back wall of my still life box. For about 8 hours
I sat on my stool at the easel and painstakingly drew the
patterns of light and shadow over the hanging cloth. As usual,
the first hour or two were painful as I drew, erased and redrew.
One of the most important things
an artist needs to have is not skill, but patience. Especially
for us weekend painters, lack of practice makes the first
hour of any drawing a painful experience. I've found that
I have to keep reminding myself that it will turn out beautiful,
just not any time soon. If
I am working out in the garage, a distinctly uninspiring environment,
I find I can extend my patience (and give the drawing a better
chance of surviving the critic in my head) by listening to
music or talking books. The tapes distract the critic, leaving
the right side of my brain free to draw. I'm working on a
second one now. The drawing book we're using taught me a cool
trick for getting very smooth shading in pencil and charcoal.
Put the strokes down, then rub them with a paper towel. It
works much better than my fingers for spreading the pigment
smoothly across the shadows. When I erase, then rub the transition
zone between paper and rubbed pigment, the values are seamless.
My network crashed over the weekend, leaving my computers
isolated from each other. I downloaded new fimware for my
router: smc7004abr, but instead of achieving my goal of allowing
me access to the cookie heavy sites, it caused the router
to completely crash. During the entire time it was down, my
family took turns walking up and asking, "Can we use
the computer?" or "Can I get on there for a minute
to print something?" etc. "No," I'd say, "The
network is down and I don't know when I will have it back
up." After giving myself a day to cool down, I called
SMC tech support and was told that the updated firmware drivers
listed on the web site for my router were wrong. Three minutes
later I received the correct drivers in an email from SMC,
installed them and (cross fingers here) was happy to see the
network come back online.
11-11-02
As soon as I took the case off
dad's computer and saw the burnt wires I knew my day was shot.
I sometimes wonder why I work on it. He could easily afford
to buy a new one. Hell, he and mom are flying to a family
reunion in England next year. A computer is nothing compared
to what that will cost them. Perhaps my free labor is penance
for all the heartache I caused them back in my teens. A more
plausible reason would be that I talked him into buying this
used computer, after the old one died. I wanted him to buy
a new one 4 months ago, but he resisted spending the $500.
This used one has been reliable until now.
When he called me up to complain that
it wouldn't start he didn't mention smoke, but from the bits
of burnt wiring scattered around the inside of his case, there
must have been smoke. It turned out to be a single wire on
one side of the on off switch. The power supply was still
sending power through the charred wire, but I suspected it
might be unsafe. I had an extra newer used power supply with
me, but it was built differently. His had the switch wires
coming out of the power supply. Mine had the big multiplug
going to the motherboard and relied on a separate set of wires
going from the motherboard to the power switch.
When I pulled the burnt wire off the
switch, the switch broke away from the cheap, overheated plastic
mounts built into the face of the computer. I'd been told
that the reset button could be configured into an alternate
power button, but when I touched the tiny switch, it broke
also. Now, both switches were broken. Unlike my old Pentium
2 case, this case had very little metal in the front, everything
screwed into plastic mounts....and they had all broken.
I sat there staring at it with my
head in my hands. I'd talked him into buying the darn thing.
It had cost him $270 and I didn't think I could persuade him
to walk away from the money. For $400 he could buy a brand
new Compac at Radio Shack but I knew his penny pinching nature
and thought that unlikely. I wandered out into his old garage...the
garage of my teenage years, and pawed around, looking for
some scraps of bridging material. I needed something strong
enough to act like the metal frame he didn't have so I could
build a bridge on which I could mount the switch. Finally
I found an old spoon and began cutting and drilling the spoon
and the case until I had the power button semi secure again.
I re-configured the reset button to
be an on off button by cutting it away from the broken reset
switch and wiring it into the non-burnt side of the old power
switch. This allowed me to use the newer power supply that
I'd taken out of my main system when I rebuilt it 2 months
ago.
Amazingly it started up. He couldn't
believe I'd pulled it off and I was surprised myself, although
whether it continues to run is anybodies guess. I have no
idea why it shorted out in the first place.
I figured out how to change the air
filter on our Windstar. In the past I have had to remove the
battery to get enough access to rotate the lid to the point
where I can close the snaps. I found that the secret to changing
the air filter is in the flexibility of the hose going from
the air filter to the fuel injector unit. I had to lift the
pleated 3 inch rubber hose up about 1 full inch or more to
get the angle necessary to hook the front lid hook under the
bottom front lip. Lifting the pleated rubber hose took every
bit of strength I had. I don't know what these car designers
are thinking when they squeeze stuff into the engine compartment
like this. With the trouble light shining on the back of the
lid, I was able to see where there are two guide prongs on
the back of the case that must be outside the bottom. These
prongs are easily visible on the sides, but very hard to see
on the back side. It had 139,304 miles today at the filter
change. I suspect it went a good 30,000 miles on the filter
which was way too long.
I did a nice drawing of a draped sheet
yesterday. I'll post the pictures when I've finished the series.
I plan to do a few more.
11-6-02
Woke up with a head full of
sand this morning. I don't know if I can write anything worth
reading. In my long study of the creative mind, I've come
across many references to the need for creative people to
"blow off" the blues and simply get to work. I have
a book somewhere on creative writing...I'd like to quote it
directly but I can' find it so I'll paraphrase: If you need
to write, whether it is for your livelihood or simply because
you are feeling out of sorts and don't know why, just begin.
Yes, you will very likely write trash in the beginning, but
that trash is covering the good stuff. It's kind of like a
coconut. You have to get the shell out of the way before you
get to the sweet stuff inside. It'd be nice to start with
the sweet stuff, but life doesn't work that way.
Even before I read that book on the
oddities of creative writing, I noticed way back in my teens
that I could wake up with a bad attitude, utterly convinced
that the day was going to be a bomb, and yet after a one hour
bicycle ride out into the rainy landscape, the clouds would
open up, the sun would shine across the fields and I'd sit
down on a rock and do a lovely drawing.
We had a staff meeting yesterday to
talk about the direction our department is heading. Among
the many things discussed is how pleased the other instructors
are with the results they are seeing from my drawing class.
I only have these students for drawing...and while I have
noticed some huge improvements in their drawing ability, I
wasn't aware it was improving their work in their main program
classes. I did hear from their main instructor that some of
them have become constant sketchers. They've gotten the drawing
bug and carry their sketchbooks wherever they go. He was pleased
because his program (animation) requires drawing ability.
What surprised me at the staff meeting
was the growing support for making basic drawing a required
core class for all students in the media program, not just
the animation students. Our three full time instructors have
all had drawing classes and feel that an understanding of
light and perspective is needed for all media programs. They
also talked about how we need to get our students into that
creative space where they can think out of the box, and how
a drawing class that emphasizes access to the "right"
side of the brain is essential to bringing out their creative
side in any endeavor.
The book I am using: "The New, Drawing
on the right side of the brain" - by Betty Edwards, asserts
the value of right brain access even for people who are not
in the visual arts. She does corporate drawing seminars with
groups of professionals as unlikely as software engineers
and doctors because a need has been found for these white
collar types to approach problem solving from new and creative
directions. Drawing, as unlikely as it seems, appears to allow
them access to new ways of thinking.
I'm no psychologist. I'm not even
sure I can spell the word (thank god for spell check). I'm
just a geeky guy who enjoys drawing, and sharing my love for
cool things with other people. As far as all the psycho babble
about right brain, creative problem solving, thinking out
of the box...I think they're all just buzzwords. Drawing is
as natural to me as breathing. I like it for a long list of
reasons but at the top is the undeniable fact that life is
short, and art is long. Drawing gives me a small, but real
slice of immortality. Long after I am gone, my great grand
kids will still be treasuring my art.
I have a painting above the
fireplace done by the last artist in my family: Florence Carpenter.
She was born around 1840 and was a favorite great Aunt of
my grandmother through whom many of my cousins and relatives
inherited one of her watercolors. She achieved some moderate fame, but
what is more important is that she lives on through her work
and inspires us to carry the torch forward. Life can be such
a bitch at times, but when I look at her painting I can almost
see her standing at her easel, smiling to herself as she captures
the loveliness of the day, fully aware of the past, and looking
into the future at me. "Life will get better", she
murmurs, "look at this beauty I found today".
11-4-02
My drawing class drew eggs today.
Everywhere I looked I saw eggs. Pen and ink eggs, charcoal
eggs, pastel eggs and pencil eggs. We did them all. I had
also brought along some bowls, cups and a porcelain swan.
Today was my day to teach shadows and it went well. I think
they were relieved to be out from under the faces and perspective
classes. Their mid-term was a portrait. About 6 of them pulled
it off reasonably well. One student, who has been struggling
all quarter did a wonderful portrait, his best drawing of
anything, ever. It blew me away that someone who basically
couldn't draw at all could suddenly pull off a portrait. You
might wonder whether someone did it for him, but I've learned
his style, and this was definitely his work.
I think we'll do drapery next week.
I have a wonderful drawing of a draped chair that I've never
posted here. I framed it 10 years ago before I knew how to
turn a computer on and have resisted taking it out of the
frame simply for a photograph.
Sunday we were supposed to have a
department bike ride, but everyone bailed. I worked until
1, then hopped on my trusty old 1973 ten speed and pedaled
out into the country. I'd never taken this particular back
road route before, but figured that if I started heading North
from the house, all I would have to do is turn West when I
was tired and do a big counter-clockwise circle. Well, after
2 hours of pedaling I had only found one road going West,
and no roads whatsoever going South.
I pedaled on and on, up the long hills
and down, hoping for a road to the left without a dead end
sign. The problem is the 8 mile wide power line road that
bisects our peninsula and the public land surrounding it.
Each time I would crest the top of a long hill, I'd see the
road vanishing off in the distance, straight as an arrow with
nothing but dead end dirt roads leading West. The sun was
beginning to cast some long shadows by the time I finally
found a Westward heading road. I'd not brought a cell phone,
and the old knees were beginning to complain as I pedaled
valiantly on, cursing my lack of foresight in not bringing
a map.
Around 3:30 I passed a lake I recognized,
and finally saw a road whose name I recognized. Another 5
miles and I was on the pole line road, pedaling my skinny
tires along the garbage strewn gravel road to the back door
into our development. A great ride, but more drama than I
needed.
11-2-02
Drove 5 paintings down to my
Olympia Gallery today. Hugh was there working and shook his
head sadly when I asked him how things were going. He said
his patrons have stopped buying art. They are are either unemployed,
or worried about becoming so. In hard times like these, with
7 million people out of work, art is a luxury purchase.They
sell affordable art to normal working Joe's, versus the high
end galleries whose clients are rich enough to not be touched
by hard times.
Stopped at mom's afterward to chat
for a while and showed her some of the pencil drawings I've
been doing as lesson plans for my drawing class. Dad was out
practicing for another choir concert. Mom has about 7 of my
paintings and drawings around the house. She has managed to
acquire some of my best pieces by loaning me money that I
was unable to repay. She outright bought the last painting,
and still believes it is of the Nisqually, even though I told
her it is of Belfair. She's a great lady, aging rapidly, but
gracefully and reminds me of what is ahead for all of us.
You can fight the aging process with the
best lotions, potions, workouts and plastic surgery, but it
is out there waiting for each of us in the end. The gradual
decline into doddering around with a cane.
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